Almahata – Happier, Sometimes (2022)
The brainchild of singer-songwriter Phoebe Warden, Almahata is an intoxicating and passionate indie-folk experience. Combining the words ‘alma’ (the soul) and ‘ahata’ (natural sound), Warden pours individuality and originality into every single chord. Receiving critical acclaim from blogs like Its All Indie, continued support from BBC Radio and various festival appearances, Warden is capturing hearts across the UK and beyond. The latest addition to her discography is her debut EP Happier, Sometimes.
Last year we reviewed her debut single ‘Heart of Me’, so it makes sense (at least to me) that we take a gander at her debut EP – debuts and all. Following her track ‘Be and Become’, Happier, Sometimes is a fusion of folk, dream pop and a sprinkling of indie-rock in the mix. From the opening track ‘Be and Become’ to the closing live version of ‘Tapestry’, Almahata showcases her versatility, genuineness and heartfelt tenderness. I often say that singles are “describe” songs or “listen” songs, and Happier, Sometimes is something to be experienced if you want to fully appreciate its beauty. I’ll do my best to describe it though.
Immediately tossing you into a swirling sonic pool with kaleidoscopic lights flitting before your eyes, Almahata proves the beauty of simplicity with her music. ‘Be and Become’ is a soft, gentle, soothing single – perfect to open an EP that will be smooth, elegant and really gets under your skin. One element I adore about Phoebe Warden is her acoustic-inspired work. The organic soundscape is the ideal foundation for her charming, but slightly obscure, vocals.
With the poetic intimacy of Carole King, the slight gruffness of Alanis Morrissette and the poignancy of Joni Mitchell, Phoebe Warden is an iconic indie-folk artist for the 21st century. Old-school guitars, piano and drums effortlessly weave through a sonic tapestry; however, a contemporary edginess is heard in the background making it perfect for all audiences. The second track ‘Happier, Sometimes’ certainly demonstrates her versatility with the dream pop meets alt-pop smokiness slithering along the melody.
My favourite track on Happier, Sometimes is potentially the final song ‘Tapestry’. Warden explains that Happier, Sometimes is an “uncomfortably honest…exploration of a post-heartbreak identity crisis. The EP travels through each stage of healing, expressing the nuanced nature of breakups and how you can feel happy with the decision whilst missing that person incredibly…” – ‘Tapestry’ is the live expression of self-acceptance and empowerment.
Filled with raw honesty, brutal introspection and innocent delicacy, Almahata both breaks your heart and builds you up with Happier, Sometimes.
For more from Almahata check out her Facebook, Instagram and Spotify.
